Dr Rachel Wells
| 'Space-Crosssed Time’: Digital Photography and Cartography in Wolfgang Weileder’s 'Atlas' | 2018 |
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Dr Rachel Wells
| In Focus: Static 2009 by Steve McQueen | 2017 |
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Dr Rachel Wells
| Samuel Beckett and Steve McQueen: Imprisonment, Sight and the Screen | 2017 |
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Dr Rachel Wells
| Fact and Responsibility: Approaches towards the Factual in Contemporary Art | 2015 |
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Dr Rachel Wells
| Scale at Any Size: Henry Moore and Scaling Up | 2015 |
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Dr Rachel Wells
| Book Review of Anna Mosynska's 'Sculpture Now', Thames and Hudson, London, 2013. | 2014 |
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Dr Rachel Wells
| Sculpture Now | 2014 |
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Dr Rachel Wells
| ‘Space-Crossed Time’: Mapping the Co-ordinates of Wolfgang Weileder’s Photography and Installation | 2013 |
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Dr Rachel Wells
| Digital Scale: Enlargement and Intelligibility in Thomas Ruff's jpeg Series | 2013 |
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Dr Rachel Wells
| Fischli and Weiss’s Equilibre/Quiet Afternoon (1984-5) | 2013 |
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Dr Rachel Wells
| Scale in Contemporary Sculpture: Enlargement, Miniaturisation and the Life-Size | 2013 |
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Dr Rachel Wells
| Housing Justice: Wolfgang Weileder's Res Publica | 2012 |
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Dr Rachel Wells
| Book Review: Lippincott, Jonathan D, Large Scale : Fabricating Sculpture in the 1960s and 1970s, New York: Princeton Architectural Press, 2010, and Marcoci, Roxana (ed), The Original Copy : Photography of Sculpture, 1839 to Today, New York: The Museum of Modern Art, 2010 | 2011 |
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Dr Rachel Wells
| Processing the Medium | 2011 |
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Dr Rachel Wells
| Bearing Responsibility: Martin Creed and Santiago Sierra | 2009 |
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Dr Rachel Wells
| Oldenburg’s Travels: the Lagadian Language of Things | 2009 |
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