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Veillance

Lookup NU author(s): Dr Gillian JeinORCiD

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Abstract

'Veillance' is the result of a two-year collaborative project of the above team with the artist and Pontio designer in residence, Ronan Devlin. ‘Veillance’ is a generative typographic artwork that visualizes and reconfigures information generated by its audience’s networked devices. The work invites participants to browse the internet using colour-coded devices. Once inside the space, the audience’s searches of unencrypted websites are intercepted, captured and reconfigured. In addition, this browsing identifies ‘trigger words’ used by UK and US global security services to identify potential suspicious activity. These words appear to float away from the screen echoing the journey that information makes from us as internet users to outside agencies. Finally, on the fourth wall there appears a real-time list of websites with which the devices are communicating; the sites that watch us while we ‘watch’ the web. Through creative experimentation, Veillance (an academic term for ‘mutual watching’) raises questions about transparency, privacy and surveillance. The artwork seeks to intervene in and demystify the process of government and commercial data interception. Bending surveillant relations back on themselves, Veillance enables its audience to see and experience sensually relations with external entities as produced by their online activity. Beyond ‘hacking’ and ‘hiding’, Veillance works from within our everyday experience of the web in order to make this a more tangible, playful and socially interactive experience, and ultimately invites us to consider more fully our consent in the ways we watch and are watched when online.


Publication metadata

Artist(s): Devlin R, Flukiger M, Dickenson A, Edwards C, Jein G, Bakir V, McStay A

Publication type: Exhibition

Publication status: Published

Year: 2017

Number of Pieces: 1

Venue: White Box, Pontio

Location: Bangor University

Media of Output: Digital

URL: https://vimeo.com/207203018

Notes: The project was commissioned by The Space (£50,000), and its exhibition funded by Arts Council Wales (£25,000)


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