Dr Daniel Mourenza Urbina
| Walter Benjamin and the Aesthetics of Film: Collective Innervations | 2020 |
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Dr Daniel Mourenza Urbina
| 'Barbarism? Yes, Indeed': A Barbaric Theorizing of Technology | 2018 |
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Dr Daniel Mourenza Urbina
| Introduction to Barbarism, guest edited by Elizabeth Stainforth, Daniel Mourenza and Stefano Calzati | 2018 |
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Dr Daniel Mourenza Urbina
| Vanguardia y humorismo gráfico: La guerra civil española (1936–1939) y la revolución cubana (1959–1961) ‐ by Català Carrasco, Jorge L. | 2018 |
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Dr Daniel Mourenza Urbina
| Manuel Sacristán, The Marxism of Manuel Sacristán: From Communism to the New Social Movements, ed. and trans. by Renzo Llorente (Leiden: Brill, 2014) | 2017 |
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Dr Daniel Mourenza Urbina
| ‘El Roto: A Political Cartoonist in Late Capitalist Spain’ | 2016 |
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Dr Daniel Mourenza Urbina
| Lutz Koepnick, On Slowness: Toward an Aesthetic of the Contemporary (New York: Columbia University Press, 2014) | 2015 |
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Dr Daniel Mourenza Urbina
| Nothing Ever Happens: Juan Antonio Bardem and the Resignification of Hollywood Melodrama (1955-1965) | 2015 |
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Dr Daniel Mourenza Urbina
| On Some Posthuman Motifs in Walter Benjamin: Mickey Mouse, Barbarism and Technological Innervation | 2015 |
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Dr Daniel Mourenza Urbina
| Dreams of a Better Nature: Walter Benjamin on the Creation of a Collective Techno-Body | 2013 |
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