Professor Julie Sanders
| Romeo and Juliet with Chinese characteristics: Questions of usefulness and engagement in twenty-first-century China | 2021 |
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Professor Julie Sanders
| Afterword - Re-Making Jonson in the Digital World; or, Jonson Our Contemporary | 2020 |
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Professor Julie Sanders
| Appropriation | 2019 |
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Professor Julie Sanders
| Changing Places and Transitional Spaces: Plays, Masques, and Performances | 2019 |
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Professor Julie Sanders
| Secondary Pleasures, Spatial Occupations and Postcolonial Departures: Park Chan-wook's Agassi/The Handmaiden and Sarah Waters's Fingersmith | 2019 |
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Professor Julie Sanders
| Under the Skin: A Neighbourhood Ethnography of Leather and Early Modern Drama | 2019 |
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Professor Julie Sanders
| Making the Land Known: Henry IV, Parts 1 and 2 and the Literature of Perambulation | 2018 |
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Professor Julie Sanders
| Synecdoche, Adaptation, and the Staged Screenplay: Van Hove's Obsession(s) | 2018 |
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Professor Julie Sanders
| Water Memory and the Art of Preserving: The Comedies and Early Modern Cultures of Remembrance | 2018 |
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Professor Julie Sanders
| Ben Jonson's Walk to Scotland: An Annotated Edition of the 'Foot Voyage' | 2017 |
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Professor Julie Sanders
| Neighbourhoods: Thick Description in the City | 2017 |
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Professor Julie Sanders
| Shakespeare Going Out Here and Now: Travels in China on the 450th Anniversary | 2016 |
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Professor Julie Sanders
| Adaptation and Appropriation | 2015 |
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Professor Julie Sanders
| 'In the Friars': The Spatial and Cultural Geography of an Indoor Playhouse | 2015 |
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Professor Julie Sanders
| Editing, Text, Performance: New Directions in Medieval and Early Modern English Drama | 2014 |
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Professor Julie Sanders
| Shakespeare at a Distance | 2014 |
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Professor Julie Sanders
| The Cambridge Introduction to Early Modern Drama, 1576-1642 | 2014 |
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Professor Julie Sanders
| Here/There: National Theatre Wales’s Coriolan/us, 8-18 August 2012, Hangar 858, RAF St Athan, Vale of Glamorgan | 2013 |
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Professor Julie Sanders
| The Pennyles Pilgrimage of John Taylor: Poverty, Mobility and Performance in Seventeenth-Century Literary Circles | 2013 |
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