Professor Phil Powrie
| Pierre Batcheff and Stardom in 1920s French Cinema | 2008 |
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Professor Phil Powrie
Emeritus Professor Bruce Babington
Dr Ann Davies
Professor Chris Perriam
| Carmen on Film : A Cultural History | 2007 |
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Professor Phil Powrie
| La famille (du cinéma) en désordre: Roudinesco and contemporary French cinema | 2007 |
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Dr Ann Davies
Professor Phil Powrie
| Carmen on Screen: an Annotated Filmography and Bibliography | 2006 |
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Professor Phil Powrie
| Essays on Luc Besson: Master of Spectacle | 2006 |
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Professor Phil Powrie
| Introduction | 2006 |
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Professor Phil Powrie
| The Cinema of France | 2006 |
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Professor Phil Powrie
| "I’m only here for the beer": post-tourism and the recycling of French heritage films | 2005 |
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Professor Phil Powrie
| Changing Tunes: The Use of Pre-existing Music in Film | 2005 |
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Professor Phil Powrie
| Space, the crowd and prostitution in Carmen (France, 1910) | 2005 |
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Professor Phil Powrie
| Unfamiliar places: 'heterospection' and recent French films on children | 2005 |
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Professor Phil Powrie
| La Tragédie de Carmen (Peter Brook, 1983) and embodiment | 2004 |
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Professor Phil Powrie
| Obscure objects of desire: Surrealism, fetishism, and politics [Book review] | 2004 |
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Professor Phil Powrie
| Politics and embodiment in Karmen Geï | 2004 |
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Professor Phil Powrie
| Sauvage et mignon: A Star Study of Pierre Batcheff | 2004 |
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Professor Phil Powrie
| 'The W/hole and the Abject' | 2004 |
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Professor Phil Powrie
| Cinema | 2003 |
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Professor Phil Powrie
| Cinema and the second sex: Women's filmmaking in France in the 1980s and 1990s | 2003 |
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Professor Phil Powrie
| La Roue/The Wheel (1923); Le Dernier combat/The Last Battle (1983) | 2003 |
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Professor Phil Powrie
| The disintegration of community: a brief history of popular music in French cinema 1945-present | 2003 |
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Professor Phil Powrie
| The kiss-curl and the resisting eyes: reassessing Carmen (Feyder, 1926) | 2003 |
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Professor Phil Powrie
| The Sting in the tale | 2003 |
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Professor Phil Powrie
| The W(hole) and the abject (Masculinity, film) | 2003 |
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Professor Phil Powrie
| The W/hole and the Abject | 2003 |
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Professor Phil Powrie
| Thirty years of doctoral theses on French cinema | 2003 |
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Professor Phil Powrie
| Diva: A new psychoanalytical approach | 2002 |
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Professor Phil Powrie
Professor Keith Reader
| French Cinema: A Student’s Guide | 2002 |
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Professor Phil Powrie
| Jean-Jacques Beineix | 2002 |
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Professor Phil Powrie
| Memory and survival: The French cinema of Krzysztof Kieslowski | 2002 |
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Professor Phil Powrie
| Towards an ethics of intermediality: Text, intertext and identification in La 'Dentelliere' (Pascal Laine) | 2002 |
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Professor Phil Powrie
| Transtitial Woman: New representations of women in contemporary French cinema | 2002 |
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Professor Phil Powrie
| Jean-Jacques Beineix | 2001 |
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Professor Phil Powrie
| Marius et Jeannette: nostalgia and utopia | 2001 |
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Professor Phil Powrie
| Of suits and men in the films of Luc Besson | 2001 |
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Professor Phil Powrie
| Out of this world (cinema): French cinema studies now | 2001 |
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Professor Phil Powrie
| The God, the King, the Fool and ØØ: The Oedipal trajectory in the films of Beineix | 2001 |
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Professor Phil Powrie
| French cinema since 1950: Personal histories (Review) | 2000 |
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Professor Phil Powrie
| On the Threshold between Past and Present: “Alternative Heritage” | 2000 |
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Professor Phil Powrie
| The “family portrait”: Trauma and the punctum in Distant Voices, Still Lives | 2000 |
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Professor Phil Powrie
| Automatic woman: The representation of woman in Surrealism | 1999 |
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Professor Phil Powrie
| French Cinema in the 1990s: Continuity and Difference | 1999 |
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Professor Phil Powrie
| French Cinema in the 1990s: Continuity and Difference | 1999 |
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Professor Phil Powrie
| Masculinity in the shadow of the slashed eye: surrealist film criticism at the crossroads | 1998 |
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