Professor David Clarke
| Rāgs Around the Clock: A Handbook for North Indian Classical Music, with Online Recordings in the Khayāl Style | 2024 |
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Professor David Clarke
| Consciousness | 2020 |
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Professor David Clarke
| Introduction | 2019 |
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Professor David Clarke
| Music and Consciousness 2: Worlds, Practices, Modalities | 2019 |
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Professor David Clarke
| Music, phenomenology, and the “natural attitude”: analysing Sibelius, thinking with Husserl, reflecting on Dennett’ | 2019 |
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Professor David Clarke
| Defining twentieth-and twenty-first century music | 2017 |
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Professor David Clarke
| North Indian Classical Music and Lerdahl and Jackendoff's Generative Theory - A Mutual Regard | 2017 |
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Professor David Clarke
| Musical Indeterminacy and Its Implications for Music Analysis: The Case of Cage’s Solo for Piano | 2016 |
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Professor David Clarke
| ‘From neurotransmitters to aesthetic experience: Jay Schulkin's Reflections on the Musical Mind’ | 2014 |
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Professor David Clarke
| Music and consciousness: a continuing project | 2014 |
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Professor David Clarke
| On Not Losing Heart: A Response to Savage and Brown’s “Toward a New Comparative Musicology” | 2014 |
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Professor David Clarke
| Different Resistances: A Comparative View of Indian and Western Classical Music in the Modern Era | 2013 |
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Professor David Clarke
| Musical autonomy rerevisited | 2012 |
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Professor David Clarke
Thomas Hodgson
| South Asian musics, cultures and communities in Newcastle upon Tyne and the North East of England | 2012 |
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Thomas Hodgson
Professor David Clarke
| South Asian musics, multiculturalism and communities: a review of literature and key Concepts | 2012 |
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Professor David Clarke
| Between Hermeneutics and Formalism: The Lento from Tippett’s Concerto for Orchestra. (Or: Music Analysis after Lawrence Kramer) | 2011 |
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Professor David Clarke
| Elvis and Darmstadt (The IMS Cut) | 2011 |
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Professor David Clarke
| Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives | 2011 |
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Professor David Clarke
| Music, phenonenology, time consciousness: meditations after Husserl | 2011 |
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Professor David Clarke
| North Indian Classical Music and its Links with Consciousness: The Case of Dhrupad | 2011 |
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Professor David Clarke
| Preface | 2011 |
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Professor David Clarke
| Beyond the Global Imaginary: Decoding BBC Radio 3’s Late Junction | 2007 |
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Professor David Clarke
| Elvis and Darmstadt, or: Twentieth-Century Music and the Politics of Cultural Pluralism | 2007 |
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Professor David Clarke
| ‘“Only half-rebelling”: tonal strategies, folksong and “Englishness” in Tippett’s Concerto for Double String Orchestra’ | 2006 |
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Professor David Clarke
| Tippett, Sir Michael (Kemp) | 2006 |
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Professor David Clarke
| Eminem: Difficult Dialogics | 2005 |
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Professor David Clarke
| Editorial: Twentieth Century Music - Plural | 2004 |
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Professor David Clarke
| 'Alongside Adorno' | 2003 |
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Professor David Clarke
| Essays on music | 2003 |
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Professor David Clarke
| Musical Autonomy Revisited | 2003 |
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Professor David Clarke
| The Music and Thought of Michael Tippett: Modern Times and Metaphysics | 2001 |
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Professor David Clarke
| Tippett, Michael | 2001 |
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Professor David Clarke
| The meaning of 'lateness': Mediations of work, self and society in Tippett's Triple Concerto | 2000 |
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Professor David Clarke
| Tippett Studies | 1999 |
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Professor David Clarke
| Tippett’s King Priam and 'the tragic vision' | 1999 |
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Professor David Clarke
| Language games: Is music like language? What makes a musical discourse? David Clarke begins a two-part inquiry into music and meaning | 1996 |
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Professor David Clarke
| The Significance of the Concept 'Image' in Tippett's Musical Thought: A Perspective from Jung | 1996 |
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Professor David Clarke
| Visionary Images: Tippett's Transcendental Aspirations | 1995 |
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Professor David Clarke
| Language, Form, and Structure in the Music of Michael Tippett | 1989 |
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