Professor Nanette De Jong
| 'As Long as the Woman Doesn't Die': Home, Safety and Intimate Partner Violence in Rural South Africa | 2023 |
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Professor Nanette De Jong
| Gender-based Violence in Rural South Africa: Introducing the AmaZizi Chiefdom of Eastern Cape | 2023 |
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Professor Nanette De Jong
| Tambú and the Arawak Princess Diyani: The performance of history, myth, and ritual | 2023 |
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Professor Nanette De Jong
| "Witchcraft and Witchcraft-Related Violence in AmaZizi Chiefdom of kwaZangashe, Eastern Cape" | 2022 |
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Professor Nanette De Jong
| The Cambridge Companion to Caribbean Music | 2022 |
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Professor Nanette De Jong
| Mapping Cultural Policy in South Africa: Reflections from an Ethnomusicologist | 2020 |
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Professor Nanette De Jong
| Maskanda, Umkhosi wokukhahlela and the Articulation of Identity in South Africa | 2020 |
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Professor Nanette De Jong
| Displays of masculinity and rituals of display: Congolese immigration and xenophobia in Johannesburg | 2017 |
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Professor Nanette De Jong
| Musical Echoes: South African Women Thinking in Jazz. By Carol Ann Muller and Sathima Bea Benjamin | 2017 |
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Professor Nanette De Jong
Dr Christian Mieves
| The Trope of Flattening and the Complexities of Difference: Visual and Acoustic Accounts of Trinidad Carnival | 2016 |
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Professor Nanette De Jong
| Enacting power: the criminalization of obeah in the Anglophone Caribbean 1760-2011 | 2015 |
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Professor Nanette De Jong
| Live from Dar es Salaam: Popular Music and Tanzania's Music Economy [Book Review] | 2014 |
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Professor Nanette De Jong
| Curaçao and the Folding Diaspora: Contesting the Party Tambú in the Netherlands | 2012 |
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Professor Nanette De Jong
| Tambú: Curaçao's African-Caribbean Ritual and the Politics of Memory | 2012 |
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Professor Nanette De Jong
| Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean | 2011 |
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Professor Nanette De Jong
| Tambú; Antillean Waltz; Seu; Comback Party | 2010 |
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Professor Nanette De Jong
| The Tambú of Curaçao: Historical Projections and the Ritual Map of Experience | 2010 |
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Professor Nanette De Jong
| Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World (T.J. Desch Obi, University of South Carolina Press, 2008) [Book Review] | 2009 |
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Professor Nanette De Jong
| South Africa, Black America, and Jazz: A Trans-Atlantic Dialogue | 2009 |
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Professor Nanette De Jong
| The (Cuban) Voice of the (Curaçaoan) People: The Making (and Taking) of Collective Memory | 2009 |
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Professor Nanette De Jong
| Tambú: Commemorating the Past, Recasting the Present | 2008 |
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Professor Nanette De Jong
| "Kokomakaku" and the (Re) Writing of History | 2007 |
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Professor Nanette De Jong
| Women of the Association for the Advancement of Creative Musicians: Four Narratives | 2007 |
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Professor Nanette De Jong
| “Joe’i Kórsou?”(Who is the True Curaçaoan?): A Musical Dialogue on Identity in 20th Century Curaçao | 2006 |
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Professor Nanette De Jong
| The Music of Anguilla and Barbuda; The Music of Antigua; The Music of St. Vincent and the Grenadines; The Music of Montserrat | 2006 |
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Professor Nanette De Jong
| "You Can't Kill an Organization": Musicians' Collectives and the Black Power Paradigm | 2005 |
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Professor Nanette De Jong
| “We Are Who We Believe Ourselves To Be”: Curaçao Jazz and the Expression of Identity | 2005 |
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Professor Nanette De Jong
| An Anatomy of Creolization: Curaçao and the Antillean Waltz | 2003 |
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Professor Nanette De Jong
| Forgotten histories and (mis)remembered cultures: the Comback party of Curaçao | 2003 |
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Professor Nanette De Jong
| La Lupé; Julian Orbón; Arsenio Rodriguez | 2003 |
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